Francesco Granacci
1477-1543
Italian
Francesco Granacci Galleries
Born at Villamagna di Volterra, he trained in Florence at the studio of Domenico Ghirlandaio, and was employed painting frescoes for San Marco on commission of Lorenzo de'Medici. He is featured in Giorgio Vasari's Vite.
His early works were influenced from the style of Filippino Lippi, like the Enthroned Madonna between Saint Michael and John the Baptist (Staatliche Museen, Berlin), Adoration of the Child (Honolulu Academy of Arts) and four histories of Saint John the Baptist.
In 1508, Granacci went to Rome, where, with other artists, he helped Michelangelo transfer cartoons to the Sistine chapel ceiling. The two artists were lifelong friends. Returning to Florence, Granacci painted a Madonna with Child with Saints Francesco and Jerome for the Augustinian convent of San Gallo (now in the Gallery of the Academy), a Madonna della Cintola for the Company of San Benedetto Bigi, and in 1515 he participated in creating the decorations to celebrate the visit to Florence of Pope Leo X. Related Paintings of Francesco Granacci :. | Madonna and Child with St John the Baptist | Entry of Charles VIII into Florence | Entry of Charles VIII into Florence | Madonna della Cintola | Joseph Presents His Father and Brothers to Pharaoh | Related Artists: Albert goodwin,r.w.s1845-1932
English painter. During the early 1860s Goodwin studied with Arthur Hughes and Ford Madox Brown, who predicted that his pupil would become 'one of the greatest landscape painters of the age'. Hughes and Brown impressed on Goodwin the Pre-Raphaelite principles of high finish, vivid colour and working directly from nature that inform his early landscape style, William CallowBritish Painter, 1812-1908
1812-1908.English painter and engraver. The son of a carpenter and builder, Callow was apprenticed at the age of 11 to Theodore Fielding, with whom he remained for two years. Copley Fielding also took an interest in his progress. In 1825 Callow was articled to Theodore Fielding for eight years' instruction in watercolour drawing and aquatint engraving. However, in 1829 he left for Paris, at the invitation of Thales Fielding, to work for the publisher J. F. d'Ostervald. He lived and worked with Newton Fielding until 1830, when the events of the July Revolution forced them back to Britain. Callow was again in Paris by February 1831 and returned to London only in 1841. Friedrich Georg Weitsch1758 Braunschweig-1828 Berlin
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